New West 108
Advisory Committee, Department of Asian Studies
Executive Committee, Carolina Asia Center
A comparatist by training, my teaching and research interests span Hindi-Urdu, Bangla, and Sanskrit literary cultures, and textual and theatrical traditions of North India. However, I mostly work in Hindi, and am especially drawn to the Hindu epics in modern literature and theatre, especially Ramlila, a devotional form of theatre which enacts the story of the Ramayana in an annual fall festival. Currently, I am working on a book project in connection with neighborhood Ramlilas in the vicinity of Bareilly, Uttar Pradesh, and one of the chief source books for Ramlila scripts, the Radheshyam Ramayana, which dates to the early twentieth century. This book project traverses literature, performance, intellectual biography, and ethnography, while engaging with critical issues related to class, caste, religion, and gender. My first book project, by contrast, concerns the mythological genre in Hindi, and in particular, modern literary adaptations of Mahabharata in the early twentieth century, against the backdrop of the independence movement and a renaissance of classical Hindu themes in Indian arts and letters.
ASIA 61: First-Year Seminar: India Through the Lens of Master Filmmakers
ASIA 152: Survey of South Asian Cultural History
ASIA 232: Cities and Villages of South Asia: A Historical and Cultural Tour
ASIA 261: India through Western Eyes
ASIA 262: Nation, Film, and Novel in Modern India
ASIA 331: Cracking India: Partition and its Legacy in South Asia
ASIA 332: The Story of Rama in India
ASIA 333: The Mahabharata: Remembered and Reimagined
ASIA/RELI 382: The Story of Rama in India–Experiential
ASIA/RELI 383: The Mahabharata: Remembered and Reimagined–Experiential
“Chasing the Parsi Theatre in Bareilly,” TDR: The Drama Review T226, 59:2 (Summer 2015): 9-45, with supplemental online media.
“Behind the Scenes of Heroic Abhimanyu,” TDR: The Drama Review T226, 59:2 (Summer 2015): 46-57, with supplemental online media.
“The Radheshyam Ramayana and the Sanskritization of Khari Boli Hindi,” Modern Asian Studies 47:5 (September 2013): 1644-1677.
“The Mahabharata’s Imprint on Contemporary Literature and Film,” in Popular Culture in a Globalised India, ed. K. Moti Gokulsing and Wimal Dissanayake (London: Routledge, 2009), 82-94.
“The Mahābhārata as National History and Allegory in Modern Tales of Abhimanyu,” Bulletin of the School of Oriental and African Studies 71:2 (June 2008): 255-277.
“Unspeakable Outrages and Unbearable Defilements: Rape Narratives in the Literature of Colonial India,” Postcolonial Text 3:1 (2007): 1-19.
“The Mahabharata in Hindu Tradition,” edited by Alixandra Gould and Alf Hiltebeitel, “Hinduism,” Oxford Bibliographies Online (uploaded Jan. 27, 2011).
Curator, “,” [exhibit with photography, video, material objects, and performances], The FedEx Global Education Center at UNC at Chapel Hill; August 18, 2015-December 13, 2015.
Curator, “The Ramlila in Pandit Radheshyam’s Bareilly (and other venues, big and small),” [exhibit with photography and material objects], The Chatham County Public Library, Pittsboro, August 25-October 31, 2015.
Curator, “The Ramlila in Pandit Radheshyam’s Bareilly (and other venues, big and small),” [exhibit with photography and video], Annual Conference on South Asia at the University of Wisconsin; October 18, 2014.
Producer and co-organizer, Vīr Abhimanyu [play], Indian Medical Association Hall, Bareilly, India, December 10, 2012.